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      <image:title>當代議題 Contemporary Issues - 克斯瓦恰卡橋：最後一座連結社區的古印加草繩橋 | Q'eswachaka, the last Inca bridge that keeps communities together</image:title>
      <image:caption>幾世紀以來，克斯瓦恰卡吊橋持續以草編的方式進行修復。古印加時期集體成就之美，值得我們學習。For centuries, the hanging bridge Q'eswachaka is braided once more. Inca beauty that we can learn from to collectively achieve.</image:caption>
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      <image:title>當代議題 Contemporary Issues - 克斯瓦恰卡橋：最後一座連結社區的古印加草繩橋 | Q'eswachaka, the last Inca bridge that keeps communities together</image:title>
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      <image:title>當代議題 Contemporary Issues - 克斯瓦恰卡橋：最後一座連結社區的古印加草繩橋 | Q'eswachaka, the last Inca bridge that keeps communities together</image:title>
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      <image:title>當代議題 Contemporary Issues - 克斯瓦恰卡橋：最後一座連結社區的古印加草繩橋 | Q'eswachaka, the last Inca bridge that keeps communities together</image:title>
      <image:caption>最後的古印加橋—克斯瓦恰卡橋 || Last Inca bridge, Queshuachaca.</image:caption>
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      <image:title>當代議題 Contemporary Issues - 克斯瓦恰卡橋：最後一座連結社區的古印加草繩橋 | Q'eswachaka, the last Inca bridge that keeps communities together</image:title>
      <image:caption>走過秘魯最後的古印加橋──克斯瓦恰卡橋。 || Getting across Queshuachaca, last Inca bride of Peru.</image:caption>
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      <image:title>當代議題 Contemporary Issues - 打開動物世界的潘朵拉寶盒 | Open the Pandora's Box in the Animal World</image:title>
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      <image:title>當代議題 Contemporary Issues - 打開動物世界的潘朵拉寶盒 | Open the Pandora's Box in the Animal World</image:title>
      <image:caption>黃保強／攝影 || Photograph: Pao-Chiang Huang</image:caption>
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      <image:title>當代議題 Contemporary Issues - 打開動物世界的潘朵拉寶盒 | Open the Pandora's Box in the Animal World</image:title>
      <image:caption>Li ChiHsien / Photograph</image:caption>
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    <lastmod>2025-04-28</lastmod>
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      <image:title>當代議題 Contemporary Issues - 他？它？牠？我們以外的那些生命 | He? It? She? The Lives Living Outside Our Lives</image:title>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History</image:title>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：歷史踏察｜“A Stroll at Ji’an”: Visits to the History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>在地花蓮 Local Hualien - 「踏溯吉安」：貼文精選（一）｜“A Stroll at Ji’an”: Featured Posts I - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2024-07-28</lastmod>
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      <image:title>在地花蓮 Local Hualien - 地方志與田野踏查實務課程 駐地學習心得（二）｜The Writing of Local History with the Practice of Field Survey: My Learning Experience II - Make it stand out</image:title>
      <image:caption>照片提供：楊凱丞｜ Photo provided by Kai-Cheng Yang</image:caption>
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      <image:title>在地花蓮 Local Hualien - 地方志與田野踏查實務課程 駐地學習心得（二）｜The Writing of Local History with the Practice of Field Survey: My Learning Experience II</image:title>
      <image:caption>照片提供：楊凱丞｜ Photo provided by Kai-Cheng Yang</image:caption>
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      <image:caption>阿美文物館劉政賢館員講述阿美族舊照片(照片提供：陳嬿欣)｜ Zheng-Xian Liu of the Amis Museum explained old photos of the Amis people. (Photograph by Yan-Xin Chen)</image:caption>
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      <image:title>在地花蓮 Local Hualien - 地方志與田野踏查實務課程 駐地學習心得（一）｜The Writing of Local History with the Practice of Field Survey: My Learning Experience I - Make it stand out</image:title>
      <image:caption>娜荳蘭部落阿美族青年(照片提供：陳嬿欣)｜ The youths of the Natawran tribe. (Photograph by Yan-Xin Chen)</image:caption>
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      <image:title>在地花蓮 Local Hualien - 環島回憶錄 ​Huandao Taiwan 2020-2022</image:title>
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    <lastmod>2025-04-28</lastmod>
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      <image:title>自由創作 Creative Works - 倉鼠的風箏（上）｜Hamster’s Kite (I) - Make it stand out</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>自由創作 Creative Works - 布農族洪水神話傳說｜Bunun Flood Myths - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>自由創作 Creative Works - 布農族洪水神話傳說｜Bunun Flood Myths - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>自由創作 Creative Works - 白晝之眠三部錄像：劉曉蕙 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Jane Eyre’s Life Story in Comic Form 鄭曉昀(Xiao-Yun Cheng)、童家韻(Jia-Yun Tong) https://drive.google.com/file/d/1ON7aMikvF2cwtt3Yvg3kjradNj2xwCpk/view?usp=sharing</image:caption>
    </image:image>
    <image:image>
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      <image:title>自由創作 Creative Works - 2021主要西方作者專題：《簡愛》的學生多元創作｜Major Western Authors: Student Works Inspired by Jane Eyre - Make it stand out</image:title>
      <image:caption>https://docs.google.com/presentation/d/13gZfw5cOeT3Y1KTGwRJwB55EXY1OajvW5iar33NQ2FY/edit?usp=sharing</image:caption>
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    <loc>https://ndhuduet.squarespace.com/creative-works-blog/2020-major-western-authors-jane-eyre-an-independent-will</loc>
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      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will</image:title>
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      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will</image:title>
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      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will</image:title>
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      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will - Make it stand out</image:title>
      <image:caption>Follow Jane Eyre 小說場景重現、Meet the Rebellious Women 獨立女性海報及相關繪畫與小書創作等展覽 “Follow Jane Eyre“ was a teamwork of recreation of the novel. “Meet the Rebellious Women“ was a corner consisted of posters of independent women and hand-made books created by students.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1631690377882-DFCYP0LUC3KBWWGTC4X4/20200611_2_2.jpg</image:loc>
      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will - Make it stand out</image:title>
      <image:caption>東華大學英美系學生專題成果展覽Jane Eyre - An Independent Will 於楊牧書房展出 Exhibition poster designed by students: Jane Eyre - An Independent Will</image:caption>
    </image:image>
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      <image:title>自由創作 Creative Works - 2020主要西方作者專題-簡愛: 一個獨立的意志｜Major Western Authors-Jane Eyre: An Independent Will - Make it stand out</image:title>
      <image:caption>“Follow Jane Eyre” 創作同學與作品合照 Work Title: “Follow Jane Eyre“</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1627790851910-GC3KGHVO68FLILZIZ2JB/%E6%88%91%E5%80%91Woman_page-0003.jpg</image:loc>
      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>The first time I recognized: I am a woman.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1627793629830-TM6IPB2QNSIMUVI42952/%E6%88%91%E5%80%91Woman_page-0005.jpg</image:loc>
      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>Origin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1627793396721-8WV2STIZMQHLILXM641S/%E6%88%91%E5%80%91Woman_page-0004.jpg</image:loc>
      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>We should not be Adam’s ribs. We are not. We are the natural and essential vibes, just as the arteries of the world. Agnes Varda talked about whether she was a feminist director in an interview. She said, “In this rampant age of feminism, I did not film the movies for declaring feminism. My movies are all about women, and that is because I am a woman. I am a woman and I understand women. That’s why I made the movies.” The reason I made this portfolio is that I had been so deeply affected by Agnes Varda. Instead of merely disclosing the harshness and pain that many women experienced, I tried to tell true stories. The stories were sometimes so agonizing to tell, yet they were so distinctly precious for me. That was why I made this portfolio. As time changes, how people interact around the world becomes different. However, it is undeniable that people still hurt each other when they love. In a society that gender equality has been gradually disseminated among the public, stories of being a physical woman still differ from other stories. I truly appreciate the stories of women. Realities and stories are fettering to an inseparable braid, which is US.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1627793705049-5H015NJOEOOXT09S4PW9/%E6%88%91%E5%80%91Woman_page-0006.jpg</image:loc>
      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>To be honest, I don’t know why I always wear like I’m going to a funereal. In oriental society, black is inauspicious. Women should be in red. For my parents, tradition is like a holy book, which is always true and respectful. They threw this book at my childhood, adolescence, and life. In the fragments I selected from Daddy, I feel those seemingly different yet similar repressions. Selected text: Sylvia Plath&lt; Daddy &gt; Color: 2d2c54　　f49d6e　　96465c</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>To be honest, I don’t know why I always wear like I’m going to a funereal. I know that he didn’t like it, but I still wore that black sweater often, which was given by my neighbor. He wanted to show me: he was GOD. God was something that took you to heaven when you were obedient, and that took you to hell when you were not. So, my sweater had been thrown away. “God is my Father.” Until now, I still remember that day. I hold my fist and wanted to kill him. My tears were bursting with anger. I didn’t wish him dead. I wanted his love. I want to kill that GOD deep-rooted in him. Sometimes I wanted to go back and tell them. I didn’t like that they decided my new clothing should be pink without asking me. Tell them that they looked black in my eyes. Tell them that every time they scolded me, I would be broken into pieces silently. They made me feel like I was too young to understand their selfish kindness. I didn’t know how to dress, what to study, and how to grow like a teenage girl. The only thing I knew was that the schoolwork and my parents were those glass pieces in my nightmare. Once I disobeyed, they would stuff the glass pieces into my throat without a reason, and then they left with the words: “It’s for your good! You should live up to your parents' expectations!” I woke up. Those glass pieces were still clinging to my face. Tears hurt my eyes, and my tears were all black.</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>“ You saved me.” Giving birth had been considered the most important mission in a woman’s life. “Mother’s virtue depends on her child.” This slang was a nightmare to all women, including my mother. I believed that every woman had to endure enormous pressure, either before or after pregnancy. Some chose to neglect, some ducked out, and some left. In The Yellow Wallpaper, I felt women’s pain and their male partner’s negligence.   Selected text: Charlotte Perkins＜　The Yellow Wallpaper　＞ Color: 4a7b9d ccbf68 54577c</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>You were unsure if your mother loved you or not. After all, our mouth is too far away from our heart. I knew that kinship didn’t come to real intimacy but more a genetic connection. It was a reciprocal relationship, which was so weak and so much beyond love. I had a car accident in my junior year. I again cried to death in another morning. The injury was not simply a wound to cover with a bandage, nor could it be taken care of in the emergency room. You heard everyone’s blaming, to the degree that it seemed you just murdered someone. The avalanche of the world made you feel that even crying was shameful. I didn’t intend to make you worry. I wanted to let you know that I was able to live independently. We could think of, take care of, and understand each other. We could be like friends, but we didn’t have to be bound together. You didn’t say that. You said you were hurt. You said I never trusted you. You said it seemed that parents are so inconsequential. However, you never knew that I had been struggling with emotional disorders. Stay silent is the best I could do. Language is a knife. I didn’t want to drill holes in your heart. “I don’t want to work hard anymore. Never.” That was what I wanted to say when I quarreled with you. I never felt you truly loved me. Once I was not who you wanted, you could get rid of me. Those who hadn’t fallen asleep became stars under the mountains in Hualien. Life may not be satisfactory even we tumbled through the lifelong journey. The weakness of love always made it so hard for us that we were not willing to give up such a relationship.</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>Contents: Origin/ Victim/ Persecutor/ Love Creation Insight Many people consider literature as a vague and unrealistic way of thinking, yet I think literature is a reflection of life. Those feminist texts mirrored my personal experience. Therefore, I chose to visualize the texts and write about my mirrored self. Tool: Photoshop, AI Tint:554150 6aab90</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>“You saved me.” My mother kept saying it for 20 years. That was a time when I was too little to remember, Mother was stepping on the new grass carpet in our house, staring into the glittering but impermeable night in Taipei. She was pregnant with my brother and was holding my hand. She intended to jump. Her throat was full of sorrow. Innumerable sorrow flowing in her blood, needles on the bottom of her foot. She tottered in her life. Perhaps, Perhaps it was the care a mother could not get rid of. She said, “I looked at you for a while, and felt your brother kicking me. Maybe it was the moment I decided to live. You saved my life.” My mother kept saying the same words and tried to persuade me: We were inseparable lives. As the old Chinese saying goes, “The flesh and blood are inseparable.” Those feelings beyond memories—the insensible birth and inseparable death—were also torturing me. We were bound together. The fact was those women not so far away from me still bound their foot. Men neglected the deformed bones and the badly mutilated heart. Generation after generation, we abused each other, hoping we were alike: give birth and you will have a new life. Ah, you saved me. We were going to live painfully together. The family was like this: no one would be abandoned, we were inseparable.</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>The Victims</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>I cannot say/ I cannot stand. In Taiwan, there is an indie band called Collage. In an interview, Natsuko, the lead vocalist, talked about her grandmother. She said that the language barrier had led to their estrangement. What she said and Elizabeth Bishop ‘s Sestina reminded me of my grandmother. Her face was vague, but that didn’t mean I didn’t love her. I believe that the grandmothers would return to our lives differently. Selected text: Elizabeth Bishop &lt;Sestina&gt; Color: c83e4d 435284</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>Why was I born with a hole? Having a romantic relationship in high school was like being in the fog. We never listened and were never understood. Until we grew up, we knew that was a formidable catastrophe. In The Story of An Hour, the woman’s attitude toward her husband’s death was from heaven to hell. Such ups and downs were so similar to my painful enlightenment, which I came to recognize later. We had thought we were in paradise, but we were actually in the inferno. Selected text: Kate Chopin ＜The Story of An Hour＞ Color: 11dbd5　　522198　　ef7ceb</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>I cannot say/ I cannot stand. Mother's tongue was gradually forgotten. The cramming and short-answer questions were what was left in history. I didn’t remember when that was. You smiled at me and did not say anything. I could not remember your voice and could only faintly remember your hair. I could still smell the fragrance from the kitchen, but what you said was blurred. Mother said you always stood at the end of Xinshu Road, not willing to leave until we got on the bus. The last time I saw you, you were on the bed in a room full of chemical odors. Just as Grandfather, you refused to talk. In my dream, death means loss of contact. What if I could see you again. “Another night being alone. / Rain dropped endlessly on the street. / Memories were like the undulating sea. / Are you there?” In my dream, I borrowed Mother’s tongue. I wanted to touch your heart and leave with you at the end of the street. This time, I would tattoo your words on my shoulder, never leaving them behind.</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>Why was I born with a hole? The flaw was born; the nail was destined to stab into my sensitive heart. “Shall a thirteen-year-old teenager have a romantic relationship?” That was the topic in one of the health education classes. My mother felt ridiculous. Why wouldn’t teenagers study and they were thinking of having a relationship? However, adolescence is the most fatuous period. The school romance dramas were filmed; parents and teachers thought that their refusal could impede our amorous adventure; girls increase their advantage in school by utilized those male seniors who were accused of “sexual predators”; boys thought they were undefeatable with the inherent gun......The reality of youth was so hilarious a decade later. I was bewitched by his gun. Guns are everywhere in men: brains, fingers, and penis. Those things on them would make me suffer, yet no one told me that. I thought because I was so adorable that he had to use his fingers to tear my pudenda; I thought I was not a virgin because he told me I didn’t bleed; I thought he filled my mouth with his fetid penis was because he loved me. In the dampness of their mouths, there were malicious bullets. The hilarious adolescence. And those didactic but hypocritical adults skirted around the issues. At last, those men who laughed at me were all gone. They laughed at my hole and my defects, leaving me naked in the ditch, afraid of false sunlight desiccating my heart again. Losing virginity. You thought you didn’t kill, but my innocuous heart towards the world was dead.</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>You were unsure if your mother loved you. I once wrote in a poem: “Since the moment you left me, we were different individuals.” I believe that either the life-bore or the life-bearing was suffered. Selected text: Sylvia Plath＜Morning Song＞ Color: f4b942 495867</image:caption>
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      <image:title>自由創作 Creative Works - 我們ＷＯＭＡＮ By 林其螢 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://ndhuduet.squarespace.com/new-blog</loc>
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    <loc>https://ndhuduet.squarespace.com/new-blog/--mb4wb</loc>
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    <lastmod>2025-04-28</lastmod>
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      <image:title>編輯室報告 Editorial Report - 編輯室報告「喂！志學」關於行走這件事：我們旅居花蓮志學村東華大學城的四年｜Editorial Board Highlights：To Walk at a Pace of “Humans of Gihak”－The Journey Comprising Four Years of Studying in Dong Hwa University, Gihak Village, Hualien - Make it stand out</image:title>
      <image:caption>A snapshot of the road and mountain of Gihak Village || 志學村山景一隅</image:caption>
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      <image:title>編輯室報告 Editorial Report - 編輯室報告「喂！志學」關於行走這件事：我們旅居花蓮志學村東華大學城的四年｜Editorial Board Highlights：To Walk at a Pace of “Humans of Gihak”－The Journey Comprising Four Years of Studying in Dong Hwa University, Gihak Village, Hualien</image:title>
      <image:caption>東華校園內的杜虹花，攝影：劉仁宇 || Formosan Blackberries on campus in Dong Hwa University, photo: Ren-yu, Liu</image:caption>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog</loc>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XVII) - Make it stand out</image:title>
      <image:caption>圖43、吳若石神父正在為周樑楷老師簽名，戴紅色帽子、黑色口罩的人是丘為君老師／陳嬿亘拍攝｜ Figure 43. Rev. Josef Eugster was signing an autograph for Professor Liang-Kai Chou. The person wearing a red hat and a black mask was Professor Eugene W. Chiu. / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XVII) - Make it stand out</image:title>
      <image:caption>圖44、吳若石神父的簽名／陳嬿亘拍攝｜ Figure 44. Rev. Josef Eugster’s signature / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XVII) - Make it stand out</image:title>
      <image:caption>圖42、吳若石神父正在講解按腳的歷史／陳嬿亘拍攝｜ Figure 42. Rev. Josef Eugster explaining the history of foot reflexology / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十六）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XVI) - Make it stand out</image:title>
      <image:caption>圖41、送給吳若石神父的繪圖卡片／陳嬿亘繪製｜ Figure 41. Illustrated card gifted to Rev. Josef Eugster / Illustrated by Yan-Xuan Chen</image:caption>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog/love-and-warmth-smb-xv</loc>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XV) - Make it stand out</image:title>
      <image:caption>圖39、黃連生傳教員簡介小馬天主堂的建築特色與歷史／陳嬿亘拍攝｜ Figure 39. Missionary Liansheng Huang’s introduction to the architecture features and history of the Piyoxo (Xiaoma) Catholic church / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XV) - Make it stand out</image:title>
      <image:caption>圖36、唯美的加路蘭海岸與都蘭山／陳嬿亘拍攝｜ Figure 36. The picturesque Jialulan Coast and Dulan Mountain / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XV) - Make it stand out</image:title>
      <image:caption>圖38、小馬天主堂獨特的外觀，由傅義修士設計／陳嬿亘拍攝｜ Figure 38. The unique exterior of Piyoxo (Xiaoma) Catholic Church, designed by Br. Julius Felder / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XV) - Make it stand out</image:title>
      <image:caption>圖40、有關小馬天主堂的田野筆記／陳嬿亘紀錄｜ Figure 40. Field survey notes on Piyoxo (Xiaoma) Catholic Church / Recorded by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XV) - Make it stand out</image:title>
      <image:caption>圖37、陽光灑落在小馬天主堂／陳嬿亘拍攝｜ Figure 37. Sunlight pouring over Piyoxo (Xiaoma) Catholic Church. / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十四）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XIV) - Make it stand out</image:title>
      <image:caption>圖35、山中探險，帶隊的是胡昌智老師／陳嬿亘拍攝｜ Figure 35. Exploring the mountains, led by Professor Chang-Zhi Hu / Photograph by Yan-Xuan Chen</image:caption>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog/love-and-warmth-smb-xiii</loc>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十三）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XIII) - Make it stand out</image:title>
      <image:caption>圖34、胡昌智老師教導筆者德文「謝謝」語法及用處之筆記／陳嬿亘拍攝｜ Figure 34. Notes on the German words for “thank you” and the usage, taught by Professor Chang-Zhi Hu / Photograph by Yan-Xuan Chen</image:caption>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog/love-and-warmth-smb-xii</loc>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog/love-and-warmth-smb-xi</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/0bf6a3c3-6d5a-4caf-bbbe-35fea8872afb/114_02_P29.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖29、臺東白冷會會院展區2，右側有各個神父和修士生平簡介立牌／陳嬿亘繪製｜ Figure 29. Exhibit Area 2 of the SMB, with life introduction boards of various priests and brothers on the right side / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/4d65cca2-b2b6-4d83-89fb-9d981189502b/114_02_P28.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖28、臺東白冷會會院展區1，歐修士為我們一一介紹白冷會在臺東發展歷程／陳嬿亘繪製｜ Figure 28. Exhibit Area 1 of the SMB, where Br. Augustin introduced the development history of the SMB in Taitung. / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/839385b1-2a9e-447c-b2a1-18f21a422a60/114_02_P32.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖32、一些在白冷會院的有趣事物，例如：香椿的種子、會院的三隻狗狗等／陳嬿亘繪製｜ Figure 32. Some interesting things at the SMB, such as Chinese mahogany seeds and the three dogs of the monastery / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/c4d92a10-7394-4999-a7e2-fa5998bf171e/114_02_P33.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖33、年邁的歐思定修士早早等待東華歷史師生團情景／陳嬿亘繪製｜ Figure 33. The elderly Br. Augustin waiting early for the visit of the faculty and students from the Department of History, National Dong Hwa University. / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/1c1a1311-7536-4a29-bb30-c6341bce1dd1/114_02_P30.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖30、臺東白冷會會院展區3，右側為橫向臺東地圖，附上白冷會各教堂分堂，內有各樣生活照片，及實物展出／陳嬿亘繪製｜ Figure 30. Exhibit Area 3 of the SMB, with a horizontal map of Taitung on the right side, showing the branches of the SMB, along with various life photographs and exhibits / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖27、臺東天主教白冷會會院相關的田野筆記／陳嬿亘紀錄｜ Figure 27. Field survey notes related to the SMB in Taitung / Recorded by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十一）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (XI) - Make it stand out</image:title>
      <image:caption>圖31、「修行生活」看板／陳嬿亘繪製｜ Figure 31. The bulletin board of “Monastic Life” / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (X) - Make it stand out</image:title>
      <image:caption>圖25、Sachsler Meditationstuch（直翻為「克勞森的冥想布圖」／陳嬿亘拍攝｜ Figure 25. Sachsler Meditationstuch (literally translated as “Clausen’s Meditation Cloth”) / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（十）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (X) - Make it stand out</image:title>
      <image:caption>圖26、十字架工藝品／陳嬿亘拍攝｜ Figure 26. Cross Craft / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（九）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (IX) - Make it stand out</image:title>
      <image:caption>圖24、耶穌保護羊群的幾何抽象畫／陳嬿亘拍攝｜ Figure 24. Geometric abstract painting of Jesus protecting the flock / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（九）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (IX) - Make it stand out</image:title>
      <image:caption>圖23、衣索比亞四旬期靈修聖畫，這幅靈修壁畫由11個小圖組成。圖1、2為「殺弟之罪」，圖3、4「諾厄方舟」與「彩虹之約」，圖5-8 是「稅吏匝凱」，圖9為耶穌醫治病人，圖10「五餅二魚」，圖11為「凱旋歌」（註五）／陳嬿亘拍攝｜ Figure 23. Ethiopian Lenten Devotional Paintings, composed of eleven small images. Images 1 and 2 depict “The Sin of Cain,” images 3 and 4 show “Noah’s Ark” and “The Covenant of the Rainbow,” images 5 to 8 illustrate “Zacchaeus the Tax Collector,” image 9 shows Jesus healing the sick, image 10 depicts “The Feeding of the Five Thousand,” and image 11 represents “The Song of Triumph” (Note 5). / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（九）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (IX) - Make it stand out</image:title>
      <image:caption>圖22、歐修士介紹會院大廳牆上各神父和修士照片／陳嬿亘拍攝｜ Figure 22. Br. Augustin introduces the photos of various priests and brothers on the wall of the monastery hall. / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（八）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VIII) - Make it stand out</image:title>
      <image:caption>圖21、歐修士正在解說上面五幅畫的風格與由來，從左至右的圖分別為：聖母得聖子耶穌、耶穌12歲前習得木工知識、耶穌傳道、聖子被釘十字架、渡過風浪（在海面上行走）／陳嬿亘拍攝｜ Figure 21. Br. Augustin is explaining the style and origin of the five paintings above. From left to right, the images depict the Virgin Mary with the Holy Child Jesus, Jesus learning carpentry before the age of 12, Jesus preaching, the crucifixion of Jesus, and Jesus calming the storm (walking on water). / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VII) - Make it stand out</image:title>
      <image:caption>圖17、臺東白冷外方傳教會會院1/100的模型／陳嬿亘拍攝｜ Figure 17. The 1/100 model of the monastery of SMB in Taitung / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VII) - Make it stand out</image:title>
      <image:caption>圖18、池作基神父相片手札本／陳嬿亘拍攝｜ Figure 18. Rev. Meinrad Tschirky’s photo album / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VII) - Make it stand out</image:title>
      <image:caption>圖19、歐修士提供的「Bikon」日本精工迷你幻燈機與幻燈片／陳嬿亘拍攝｜ Figure 19. The Bikon Japanese mini slide projector and slides provided by Br. Augustin / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（七）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VII) - Make it stand out</image:title>
      <image:caption>圖20、陪伴歐修士辦公的Hermes愛瑪仕2000打字機／陳嬿亘拍攝｜ Figure 20. The Hermes 2000 typewriter that accompanied Br. Augustin during his work / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（六）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (VI) - Make it stand out</image:title>
      <image:caption>圖16、「何謂白冷會精神？」看板／陳嬿亘拍攝｜ Figure 16. The board titled “Bethlehem Spirituality” / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (V) - Make it stand out</image:title>
      <image:caption>圖14、現年87歲的歐思定修士站在臺東白冷會院大門前，為東華歷史師生團講解白冷會的歷史／陳嬿亘拍攝｜ Figure 14. Br. Augustin Büchel, aged 87, stood at the entrance, explaining the history of SMB for the faculty and students from the Department of History, National Dong Hwa University. / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（五）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (V) - Make it stand out</image:title>
      <image:caption>圖15、筆者為歐思定修士所繪製的卡片／陳嬿亘繪製｜ Figure 15. The card for Br. Augustin drawn by the author / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（四）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (IV) - Make it stand out</image:title>
      <image:caption>圖13、有關公東高工和公東聖堂筆記／陳嬿亘紀錄｜ Figure 13. The notes about St. Joseph Technical High School and Church of Kung-Tung Technical Senior High School / Recorded by Yan-Xuan Chen</image:caption>
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    <loc>https://ndhuduet.squarespace.com/stories-of-people-blog/love-and-warmth-smb-iii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/a3c7a030-cd20-465c-a3c1-dd1c46fd5e45/113_03_P11.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（三）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (III) - Make it stand out</image:title>
      <image:caption>圖11、關山便當的塗鴉／陳嬿亘繪製｜ Figure 11. A drawing of Guanshan lunchbox / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（三）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (III) - Make it stand out</image:title>
      <image:caption>圖12、左邊黑色人群（紅色圓圈標示處）是洪宗呈學長為大家講解中興崗哨歷史，而中間正在溯溪的小黑人（藍色方框標示處）為胡昌智老師／陳嬿亘繪製｜ Figure 12. The group of people on the left (marked by the red circle) included Senior Zong-Cheng Hong, who was explaining the history of Zhongxin Sentinel to everyone, while the people in the middle tracing the stream (marked by the blue square) was Professor Chang-Zhi Hu. / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/7f343a2c-f29a-4fc3-a622-e6f9be725aba/113_03_P10.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（三）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (III) - Make it stand out</image:title>
      <image:caption>圖10、好吃的關山便當／陳嬿亘拍攝｜ Figure 10. The delicious Guanshan lunchbox / Photograph by Yan-Xuan Chen</image:caption>
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    <lastmod>2024-12-02</lastmod>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖4、關山天主堂內、由瑞士帶來的鐘／陳嬿亘拍攝｜ Figure 4. The bells brought from Switzerland inside the Church of Our Lady in Guanshan / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖6、教堂的彩色窗戶／陳嬿亘拍攝｜ Figure 6. The stained-glass windows of the church / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖9、關山天主堂的田野筆記、塗鴉與補充資料／陳嬿亘繪製｜ Figure 9. Field survey notes, doodles, and supplementary information of the Church of Our Lady in Guanshan / Illustrated by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/89a24010-87d9-4023-a684-b0b67da33fb8/113_03_P03.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖3、關山天主堂的凱樂符號（Chi［X］-Rho［P］）／陳嬿亘拍攝｜ Figure 3. The Chi［X］-Rho［P］symbol of the Church of Our Lady in Guanshan / Photograph by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/2a595cd3-71ce-47ee-b959-21c8b7058ab2/113_03_P08.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖8、關山天主教堂外觀／陳嬿亘拍攝｜ Figure 8. The exterior of the Church of Our Lady in Guanshan / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖5、教堂內兩側牆壁上的耶穌木雕／陳嬿亘拍攝｜ Figure 5. The wooden carvings of Jesus on the walls on both sides of the church / Photograph by Yan-Xuan Chen</image:caption>
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      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖7、前面中間為耶穌被釘十字架像，左邊為無染原罪聖母瑪利亞，右邊則是勞工之父聖若瑟；以及由公東高工學生所製作的木椅／陳嬿亘拍攝｜ Figure 7. In the front center was the statue of Jesus Christ being crucified. To the left was the statue of the Immaculate Virgin Mary, and to the right was the statue of Saint Joseph, Father of Workers. The wooden chairs were crafted by students from St. Joseph Technical Senior High School. / Photograph by Yan-Xuan Chen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ccec2e8719885000143b243/013c4b17-8681-4ed5-8c83-37bd5c3b3b71/113_03_P02.jpg</image:loc>
      <image:title>人物。故事 Stories of People - 愛與溫暖：我所瞥見的白冷會（二）｜Love and Warmth: A Glimpse into Societas Missionaria de Bethlehem (II) - Make it stand out</image:title>
      <image:caption>圖2、天主教私立聖十字架療養院／陳嬿亘拍攝｜ Figure 2. Catholic Holy Cross Hospice for the Chronically Ill / Photograph by Yan-Xuan Chen</image:caption>
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      <image:caption>圖1、白冷會田野筆記、手冊與資料／陳嬿亘拍攝｜ Figure 1. Field survey notes, booklet, and materials of the SMB / Photograph by Yan-Xuan Chen</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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